BELOW THE LINE PODCAST

Our Fifth Annual Oscar Series begins now! Once again, we’ve got panels of film professionals discussing the nominees in their category of expertise. First up: Oscar nominee Steve Morrow (production sound mixer) and Oscar winner Don Sylvester (sound editor) discuss this year's nominees for Sound.

The 2023 Nominees for Sound:

•“The Creator”

•“Maestro” 

•“Mission: Impossible - Dead Reckoning Part One” 

•“Oppenheimer”

•"The Zone of Interest”

Now for something completely different! “Gen V” is a bombastic and provocative take on the Superhero genre, and Film Editor Maura Corey threads a needle balancing the action, the satire, and the humor from scene to scene. Gianni Damaia returns to the co-host seat, and - once again - it’s a laugh-out-loud conversation that I hope you’ll enjoy as much as we did.

2022’s “Aftersun” is a slow-burn of a movie which nonetheless resonated with a sizable audience, and Film Editor Blair McClendon brings us inside the collaboration that sits at the center of this film (which is currently streaming on Showtime and Paramount+). Fellow editor (and friend of the podcast) Christopher Angel identified “Aftersun” as an overlooked gem when we discussed Oscar nominees at the start of 2023, and he joins me today in the co-host chair to help tease out what made this rule-defying film so successful. 

“Hatching”, a successful Finnish horror film currently streaming on Hulu, is a good case study for exploring the differences between European filmmaking and the U.S. studio system. I’m joined today by the Producer of “Hatching”, Mika Ritalahti, and two Executive Line Producers from Mistrus Media Film Production, Gints Grube and Elina Gedina. While the film is from Finland, principal photography was conducted in Riga, Latvia, and my panel shares how this entertaining movie came together.

“Dungeons & Dragons: Honor Among Thieves” was released in theaters early this year and is now streaming on multiple platforms. Tyler Cordova, Co-Visual Effects Producer, is here to explain how practical effects and visual effects work together to create the magic of the film. And for the first time on the podcast: we’re discussing specific scenes in real time! Let us know if it works.

“Tom Clancy’s Jack Ryan” wrapped earlier this year after four seasons on Amazon Prime, and Production Designer Derek Hill is here to offer behind-the-scene insights for a team that was based out of Budapest but filmed across Europe, from Greece to Croatia to the Canary Islands. Oh, and COVID: there was COVID.

Costume Designer Liz Vastola talks about her work on “Twisted Metal”, the comedy/action video game adaptation currently streaming on Peacock. I’ve never played the video game, but co-host (and fellow podcaster) Gianni Damaia brings some hard-won expertise to our laugh-out-loud discussion of the series.

Score Composer Andrew Lockington talks about his work on Taylor Sheridan’s “Special Ops: Lioness” (currently airing on Paramount+), and co-host Louis Weeks (composer, recording artist, and friend of the podcast) provides another layer of insight to our conversation. We discuss Andrew’s work on multiple levels, from the intention behind specifics pieces of score to the larger themes that inform the overall arc of the story.

My guest is Daril Fannin, CEO of Kino Studios. We talk about how Daril’s experiences as an army veteran, writer and executive producer led to the founding of Kino, with the goal of making Hollywood more open, equitable, efficient and diverse. Kino also runs a robust behind-the-scenes program which emphasizes - you guessed it - the contributions of Below the Line talent (www.kino.studio).

2022’s “The Menu” was an intriguing film that defied genre expectations. WIth 14 principle cast members and a tight shooting schedule, it was also a logistical challenge of epic proportions. First Assistant Director Gary Goldman takes us behind the scenes with stories about the cast, the supporting background, and the food. I mean, the FOOD: it was another character, both on and off the set.

“Star Trek: Strange New Worlds” - now in its second season on Paramount+ - continues to make the familiar franchise new again. Director of Photography Benji Bakshi talks about how cinematography contributes to the genre-uniqueness of each episode, and we talk in detail about the recently-aired, first-ever Star Trek musical episode. 

“Teenage Mutant Ninja Turtles: Mutant Mayhem” - in theaters now - is both a cutting-edge computer-animated feature and a really enjoyable film. Head of Cinematography Kent Seki and Art Director Arthur Fong share how an emphasis on the “teenage” element of the title characters informed every aspect of the filmmaking over a course of production spanning more than three years.

The “Hellraiser” film released late last year on Hulu was a creative reimagining of Clive Barker’s 1987 original. Production Designer Kathrin Eder discusses the challenge of rebooting a 35-year-old horror classic, Director David Bruckner’s reliance on practical effects wherever possible, and bringing all of these elements together while filming in Serbia.

“The Flash”, the latest DC superhero to earn a solo outing on the big screen, may be a spectacle of visual effects, but Sound Editors John Marquis and Nancy Nugent Title are here to explain why the movie experience is affected as much by what you hear as what you see. The integration is key, but recognizing the contributions of sound can unlock a completely new understanding of the film.

On June 23rd, the Directors Guild of America ratified a new three-year agreement with the Alliance of Motion Picture and Television Producers (AMPTP); the vote was 87% in favor. Today I’m discussing the agreement with Kevin Koster, who works as a 1st Assistant Director, served as a member of the negotiating committee, and is a returning guest to the podcast.

Costume Designer Helen Huang and Assistant Costume Designer Austin Wittick return to discuss their work on “Beef”, the 2023 Netflix limited series starring Stephen Yeun and Ali Wong. We take the opportunity to discuss not only how costume design contributes to this story behind the scenes but how diversity is important for all the stories that Hollywood wants to tell.

Today we’re talking about 1987’s “A Nightmare on Elm Street 3: Dream Warriors”, and I’m joined by an all-star panel of guests. 1st Assistant Director Dennis Maguire, Production Designer Mick Strawn, and Director of Photography Roy Wagner tell the tale of a difficult shoot that was nonetheless the basis for friendships that have endured for more than 35 years. 

As the Writers Guild of America strike enters its second month, I’m joined by Kerri Wood Einertson (National Director for Government Affairs & Public Policy, SAG-AFTRA), Tyler McIntosh (Political/Legislative Director, IATSE), and Michael Wasser (Assistant to the President and Legislative Director, DPE) to discuss how the WGA contract issues resonate with the other entertainment industry unions. 

Today we’re talking about "Babylon", Damien Chazelle’s 2022 epic feature set during the early years of Hollywood, and my returning guest is Production Sound Mixer Steve Morrow.

"Quasi" is a lighthearted comedy from the Broken Lizard comedy troupe currently streaming on Hulu, and my guests today are the Hair and Makeup Department Heads, Lorna Reid and Amy Sparks. 

The Writers Guild of America has been on the picket line for three weeks, and Lowell Peterson, WGA-East Executive Director, joins me to talk about the negotiations, the issues at stake for the union, and what to expect now that the strike is underway.

THE PODCAST IS BACK. To kick off the new season, I’m joined by writer/director/producer/actor Ben Milliken to discuss his directorial debut, “SNAG”, which is currently available to stream on demand. 

We’re wrapping up our coverage of awards season with a look at the Oscars ceremony itself, and my guests are three quarters of the sound team nominated for their work on "Elvis". Wayne Pashley, David Lee and Michael Keller bring a below-the-line perspective to the honor of “just being nominated”, the challenge of bringing guests to the Academy Awards, and the differences between what they experienced live versus what the rest of us observed on the broadcast. And if you want to hear about the after-parties? Listen to the end if you’re curious about Baz Lurhmann’s AFTER after-party at Chateau Marmont.

It’s been 10 episodes of film industry professionals sharing the benefits of their expertise, and we’re concluding our Oscar series with an in-depth look at the nominees for Cinematography. My returning guests — Patrick Cady and David Tuttman — are directors of photography with stories to share. Enjoy the Academy Awards this weekend! I hope our insights have prepared you for the ceremony. (10 of 10)

The Academy Awards are only a week away, and today we’re discussing the Oscar nominees for Original Song. My guests — Chris Molanphy (chart analyst and podcast host), Louis Weeks (score composer), and Tom Peyton (song writer) — offer an assessment of these nominees that encompasses both the technical and the meta. (9 of 10)