“The Gilded Age”, which recently concluded its first season on HBO Max, explores the various social forces at play in the New York City of 1882. The theme of old money vs new money is reflected in the sets themselves, and Set Decorator Regina Graves joins me to discuss the challenges and rewards of bringing this period drama to life.
Welcome to Season 12 of the podcast! We’re kicking it off with a look back at this year’s Oscars ceremony, specifically the Academy’s decision to prerecord eight of the 23 awards during the hour preceding the live broadcast, and then air edited segments during the ceremony itself. Set Decorator Rena DeAngelo (nominated this year for her work on West Side Story) tells us what happened during that hour of pre-show taping, and Writer/Director/Editor Christopher Angel (who last joined us to discuss this year’s nominees for Film Editing) analyzes how those early acceptance speeches were censored for the telecast.
It’s been 10 episodes of film industry professionals sharing the benefits of their expertise, and we’re concluding our Oscar series with an in-depth look at the nominees for Cinematography. My guests — Patrick Cady and Shawn Peters — are directors of photography with stories to share. Enjoy the Academy Awards this weekend! I hope our insights have prepared you for the ceremony. (Episode 10 of 10).
The Academy Awards are less than a week away, and we’ve got two episodes to go. Today, we’re discussing the Oscar nominees for Visual Effects. Industry veterans Kent Seki and Chris Batty bring their expertise for a wide-ranging and animated discussion. (Episode 9 of 10)
Music is back! Week Four of our Oscars coverage concludes with an enlightening conversation about Original Score. My returning guests - Louis Weeks, Chris Molanphy, and Mick Coogan - once again offer insights about this year’s nominees that will most definitely wow you. (Episode 8 of 10)
Are you following the series? Week Four of our Oscars coverage kicks off with a review of the nominees for Film Editing. My guests - Christopher Angel and Amy Duddleston - are editors with a wealth of experience to share when discussing this year’s Academy Awards nominees. (Episode 7 of 10)
Week Three concludes with a discussion of the Oscar nominees for Makeup and Hairstyling. My guests — Angela Nogaro (Makeup) and Yvonne Depatis-Kupka (Hairstyling) — have opinions. I think you’ll enjoy them. (Episode 6 of 10)
Week Three: our tour through the technical categories continues with a discussion of the Oscar nominees for Original Song. My returning guests — Mick Coogan (song writer), Louis Weeks (score composer), and Chris Molanphy (chart analyst and fellow podcast host) — offer a multi-layered set of insights. (Episode 5 of 10)
This episode of our Oscar series features a discussion of the nominees for Animated Feature. Ready for some behind-the-scenes insights? My guests, Kent Seki and Camille Leganza, bring more than 40 years of animation experience to the panel, and it makes for an informative and lively conversation. (Episode 4 of 10)
It’s Week Two of our Oscars coverage, where film industry professionals offer insights in the category of their expertise. Today we’re focused on Production Design, and I’m happy to welcome back Sam Lisenco (Production Designer), Regina Graves (Set Decorator), and Kerry Weeks (Lead Man) to discuss this year’s nominees. (Episode 3 of 10)
Our 3rd Annual Academy Awards coverage continues, and today we turn our attention to this year’s Oscar nominees for Costume Design. My panelists, Allison Choi Braun and Helen Huang, are both veteran costumer designers (and returning podcast guests!) with insights to share. (Episode 2 of 10)
Our 3rd Annual Academy Awards coverage starts now! Each episode, a panel of subject-matter experts discuss the nominees in the technical category of their expertise. Today, I'm joined by Steve Morrow (production sound mixer) and Don Sylvester (sound editor) to discuss this year's Oscar nominees for Sound. (Episode 1 of 10)
This year, the Directors Guild of America nominated six directors for Outstanding Directorial Achievement in First-Time Feature Film. I’m joined again by Katie Carroll, Bill Hardy, Roger Mendoza and Shaun O’Banion to discuss these films from a below-the-line perspective.
Welcome to Awards Season! For the third year in a row, I’ve assembled a panel of fellow below-the-liners — Katie Carroll, Bill Hardy, Roger Mendoza and Shaun O’Banion — to discuss the five directors recognized by the Directors Guild of America for Outstanding Directorial Achievement in Theatrical Feature Film. How did we rank them? Answers at the end of the podcast.
The tv shows set in the Marvel Cinematic Universe almost always have a parallel filming unit focused on the stunts and action sequences, and “Hawkeye” (the latest to stream on Disney+) is no exception. Two members of Hawkeye’s 2nd Unit, 1st Assistant Director Tim Fitzgerald and Cinematographer Darin Moran, discuss how their team aligned with the overall production effort.
Writer/Director/Producer Helen Alexis Yonov and Cinematographer Matt Rodgers join me today to discuss their recent project, “The Gesture and the Word”, a 23-minute short film that was in limited release for most of 2021 (logging 87 festivals and 65 awards). It’s a lively conversation, exploring the complexities of the production and the nuances of the festival circuit. The film is currently streaming for all audiences at Omeleto.com/257318/
“The Witcher”, currently streaming on Netflix, is a rousing mashup of monsters, mages, and mayhem. My guest today, Cinematographer Romain Lacourbas, talks about his work on the second season and how interdepartmental teamwork is a critical component of the production mix.
Apple TV+’s “Invasion”, with storylines spanning four continents, was an epic production in terms of both scale and scope. My guests today — Production Designer Loren Weeks, Leadman Kerry Weeks, and Set Dresser Dan Fisher — discuss how the art department met the challenges of this massive undertaking.
“The Shrink Next Door”, currently streaming on Apple TV+, stars Will Ferrell and Paul Rudd as patient/therapist, tracking their dysfunctional relationship over more than three decades. My guest today, Costume Designer Helen Huang, discusses how wardrobe is an important aspect of the storytelling.
I was the DGA Trainee on Tim Burton’s "Planet of the Apes" (2001), and I’m joined today by some fellow crew members with stories to share: Douglas Noe (Ape Makeup), Kevin Haney (Ape Makeup), Steve Thorp (Electric), and Ryan Miningham (Production Office) reminisce with me about our days together on set.
"8-Bit Christmas", currently streaming on HBO Max, is a holiday nostalgia tale reminiscent of "A Christmas Story" but set in the 80s and trading its Red Ryder air rifle for a Nintendo Entertainment System. My guest today is Avery Plewes, the film’s Costume Designer. Happy Holidays!
"The Matrix", the 1999 sci-fi classic written and directed by the Wachowski siblings, is rightfully praised for its groundbreaking visual effects. My guest today is Diana Giorgiutti, Digital Effects Producer for all three films in the original trilogy.
Lin-Manuel Miranda’s directorial debut, “Tick, Tick . . . Boom!”, both features and reflects upon the creative works of Jonathan Larson, best known as the creator of the Broadway musical, Rent. My guests today are the film's editors, Andy Weisblum and Myron Kerstein, who discuss the challenges of shepherding this ambitious adaptation from script to screen.
My guests today - Melanie Ragone, Melissa Beaupre, and Nicole Higgins - are women who work in below the line film crew specialties typically dominated by men. We discuss the challenges and rewards of being film industry pioneers, and what attracted them to these careers in the first place.
The 21st Century has seen three film adaptations of C.S. Lewis’s Narnia books: “The Lion, the Witch and the Wardrobe” (2005), “Prince Caspian” (2008) and “The Voyage of the Dawn Treader” (2010). Howard Berger, my guest today, supervised the prosthetic makeup for all three films, and he won an Oscar for his work on the first. In addition to discussing this effort, our conversation places Howard’s work within the context of his storied career.
